As my Maya scene crashes for the umpteenth time in the day, I thought I would reflect for a moment on something that has brought me out of my Blogging shell (for today; Besides Maya being a piece of shit) and really caused a tidle wave of buzz in the industry; Pixar is setting up a small branch in British Columbia, Canada. For people in my proffession ( Animation/Animators), On origionally hearing the news, it was the equivelent of learning that Eva Mendes (or take your pick of set celebrity crush) was coming over and looking to sleep with you (I love my wife tho, but if shes into Eva, who am I to argue? ;)
It sent A lot of Animators (especially around the Toronto area) in to a tizzie. People across the industry were buzzing and I got a couple of emails the day of with " Did you hear?" and "Canada is in the game, finally". The way I felt, at that day on friday, was a renewed vigor and a lust for quality that inspired me and almost distracted my entire day (actually, I think it did). Then reality set in. I look to reasoning behind everything. There has to be reason. as far as for a company of that magnitude to come up here to the great white north (Even tho the west coast isn't all that snowy). I refer you to Mark Mayerson's Blog; More specifically his thoughts on this whole Pixar thing. His is much more elequent words than I could ever put this whole situation into.
I respect him on a great level; I had him as a teacher at Seneca Animation and could sense his frustration in dealing with the politics was liken to mine(Albeit mine was an infinatly smaller scale to what he had to put up with). Sometimes, it should be Black and white, A to B. Yet some people out there have to make it impossible. I then worked with co-workers of his from Monster by Mistake and learned more about what he not only had to go through but how he protected his crew from the constant crap that was streaming from the polotics at the top. It says alot about someone when they do that for there crew. That is a fraction of a bigger reason as to why I respect him and with his view's on Pixar, I believe he is dead on. He also paints the true culprits as to why Canada will always be liken to what some might call the "B" level team.
My personal opinion is I respect and like what I do in Toronto. I love working where I am working now and like and admire alot of my co-workers. It is not to say I do not know the reality of the situation though or that my wave is the same as others. Canada will always be a farming community (where things are farmed out too) and for the reasons outlined in Mayerson's blog, it will be impossible to change that. When I started animating in this industry, the first thing, the FIRST THING, I was told from a director whom shall remain anonymous is "Get to the states. Once you've worked there, for some odd reason, people treat you seriously in Canada." He was a well known person, especially in our circle of Animators with whom his views were respected by.
It carries weight with me and my goals are to not only be respected in my craft, but to work with some top notch talent who share an entusiasm and interest in this thing I do. It is not to say that it wouldnt keep me from coming back to Canada or to try and Make or work on a studio film in Canada, it is just that even if I had the next Incredibles, it is neither commercially viable nor feasable to get the artistic merits and budget it would deserve in Canada. Most of the time (in any commercial medium) it is only succesful if the american culture embraces it (minus shitty bands like the tradgically hip). Look at any media or News medium; we look to America to dictate our commercial and artistic successes. Be it a short film that wins an Oscar (Ryan) or any other news story that doesn't block the gardiner on a sunday afternoon. It's newsworthy and admirable if the americans make it so. The NFB can be the biggest instigator for this; Choosing only artistic films over films that can be artistic as well as commercially viable is a hugeeee problem with the NFB. They are great in the sense that they give the artist the funding to have a voice, but if it were to come to some film that would have merchandising and artistic merit to compete with a Dreamworks or Disney film behind it, I have yet to see an NFB production with such. I understand it is for the artists, but if the artists want to compete on a level and need that funding, the only place I can think of is the NFB. (Educate me if it is any different).
Such is the way of us Animators too; When I worked at 2 presidents, people always said "Thats nice". If I work at Dreamworks or ILM, people are like "holy shit" and fellow animators "take notice". I Don't know why this perception exsists. And to an extent, honestly, I don't care. It has been the way long before I came into the game and I am not one to change the course. I just know my personal philosiphies and what I want to acheive in my career. When I was a child (and well into my adulthood [shame]), I watched wrestling. I idolized people like Bret Hart and Triple H. Two quotes from both those wrestlers stuck with me to this day.
Bret: "Im not greedy for money, Im greedy for respect. "
Triple H: "Everyone gets into the game to be Heavyweight Champ. Otherwise, whats the fucking point?"
If it takes me to go down to a company like Pixar to get respect, then thats what I will do. All in all, the whole events of Pixar coming to Canada is a good thing. It creates jobs. It brings a name
of a studio to your resume. And even if it is a farming out studio, there is a certain prestige that comes with working there. Even those who are green are going to work there asses of (hell, even the experienced people will). It will push the quality bar and hopefully Canadian companies will take notice. And that kind of friendly rivalry will push not only my animation, but it may just be the bridge to work on bigger things as well ;) I am forever the optomist.......